LENSES
Below is a selection of our lenses for hire, see our Full Kit List for more.
Cooke S4 Prime T2 Set // 18-100mm
Cooke S4 optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture, with the cam-type focus mechanism allowing for smooth focus adjustments.
Angenieux Optimo 25-250mm T3.5
The Optimo style family of zoom lenses inherits the virtues of the famed Optimo Cine lenses, offering extra production efficiency and system compatibility. The Optimo Style family is initially comprised of two light weight zoom lenses with an optional motorization system, and a 10x zoom lens inspired by the legendary Angenieux 25-250mm zoom. All Optimo Style lenses are carefully manufactured to achieve a resolution of 4K and beyond, making them a sound investment for years to come.
Atlas Lens Co Orion Anamorphic Set B // 32mm, 50mm, 80mm
At the heart of Atlas Lens Co. Orion Series is a true Front Anamorphic Group. Orion Series lenses deliver the striking beauty of painterly waterfall bokeh, disproportionate breathing, and signature but controlled flare. These optical characteristics are now available as part of your cinematic storytelling toolkit with a mechanical functionality that won't leave you feeling confounded by compromise. Orion Series Anamorphic Lenses are built to be a universal filmmaking tool - ready for the latest Digital Cinema PL mount cameras like ARRI Alexa or Red DSMC2, Canon Mount Cinema Cameras like the C300, or adapted Sony E Mount or Micro 4/3 cameras.
TLS Petzval // T2.1 58mm and T2.3 85mm
True Lens Services' Swirl 85mm Petzval lens is the perfect portraiture lens. Use this lens when you want your subject to be the sharp centre of attention with bokeh effect.
Cam driven focus system and chassis style lens housing allow matte boxes and other accessories to be attached to the front of the lens, without affecting focus movements.
The benefit of zero backlash and image shift give accurate dual focus scales that repeat on direction and change with the cam drive system, giving a wide spread of markings through the scale.
Zeiss Distagon T2.1 10mm
This Ultra Prime lens comes with large, easy to read calibrated scales, uniform diameters and position of focus and aperture drive rings, and uniform position of exit pupil. Ultra Prime lenses are particularly robust and easy to service. The optical performance is superb, even wide open. Floating elements keep the optical performance up all the way to the close-focusing limit. Distortion is well controlled and so is breathing, especially with the wider angle lenses, where it counts most.
Zeiss Distagon T2.1 14mm
The Zeiss 14mm T2.1 Distagon Lens provides videos that are crystal clear. It has been designed in a way that it is able to bring together colour saturation, focus, colour uniformity, contrast and compactness. This feature, coupled with high speed ensures that the lenses provide technical sharpness and clarity that is comparable to none.
Zeiss Supreme Prime T1.5 Set // 18-85mm
Zeiss Supreme Prime T1.5 Lens Set - PL Mount (feet scale). Cinematic Large-Format Coverage and High Speed:
The ZEISS Supreme Prime lenses are designed for cinematic large-format sensor coverage, making them the ideal choice for current and future camera systems. At T1.5 the ZEISS Supreme Primes demonstrate their unsurpassed craftsmanship in tricky low-light environments. They give the creator absolute control by revealing subtly nuanced details in deep shadows and bright highlights.
Tokina Cinema Vista T1.5 Wide Set // 18-40mm
These revolutionary new lenses feature a huge image circle of up to 46.7mm, making these lenses compatible with nearly every motion picture camera sensor on the market, including VistaVision format. The new Vista series are all the same size and gear position for easy set up and workflow. Ultra sharp with nearly zero image breathing during focus pulls. Tokina Cinema Vista is truly the modern ultra crisp works-on-everything solution for your cinema and motion imaging capture needs.
Tokina Cinema Vista T1.5 Tight Set // 50-105mm
Throughout the range the length of the lenses is also kept consistent and diameter is also consistent at 114mm throughout the range. The lenses all benefit from virtually no breathing and the image circle of 46.7mm covers FF35 and beyond to VistaVision format.
Nikon Nikkor AI Cine Modded Set // 20-135mm
Zeiss Superspeed MK3 T1.3 Set // 18-85mm
This Extended Set of Zeiss Super Speed Mark III Primes comprises 6 vintage lenses ranging from 18-85mm with the optional addition of a 135mm Standard Speed. The Super Speeds boast a very fast aperture of T1.3 and have a slightly softer, vintage look compared to modern cine glass. Each lens has metric markings.
Fujinon Premista 28-100mm T2.9
The Premista28-100mm, the first of the series to be released, is a standard zoom lens covering a 28-100mm focal length. This is the equivalent of 6 prime lenses (*1), which saves both time and cost caused by changing lenses frequently. Thanks to the adoption of a large-diameter aspherical lens and a new focus/zoom system, the Premista achieves stunning optical quality from the center to the corners, allowing the cinematographer to capture the feeling and texture of the subjects. The lens design contributes to the wide dynamic range by suppressing unwanted flare and ghosts thanks to Fujifilm’s original optical calculation software.
Atlas Lens Co Orion Anamorphic Set A // 40mm, 65mm, 100mm
Orion Series lenses deliver the striking beauty of painterly waterfall bokeh, disproportionate breathing, and signature but controlled flare. These optical characteristics are now available as part of your cinematic storytelling toolkit with a mechanical functionality that won't leave you feeling confounded by compromise. Orion Series Anamorphic Lenses are built to be a universal filmmaking tool - ready for the latest Digital Cinema PL mount cameras like ARRI Alexa or Red DSMC2, Canon Mount Cinema Cameras like the C300, or adapted Sony E Mount or Micro 4/3 cameras.
Canon Sumire Prime T3.1 14mm
Subtle, cinematic and expressive, yet beautifully refined. Designed to offer delicate and subtle rendering of a subject, this prime lens offers a fast aperture and precise manual control with a crafted focus bokeh aimed at careful creative expression. Capture every detail with ease.
Sigma Cine Zoom Lens T2 // 18-35mm and 50-100mm
The High Speed Zoom Line offers a constant aperture of T2 throughout the zoom range, and their outstanding optical performance makes them fully ready for high-resolution shooting in 6K-8K. While offering the highest image quality in their class, these zoom lenses are compact and offer amazing value.
GL Optics f2.8 70-200mm
he Canon 70-200mm T/3.0 PL MOUNT ZOOM LENS is a high performance telephoto zoom lens with a constant T/3.0 maximum aperture. It has four UD glass elements to correct chromatic aberrations and provide overall high resolution, high-contrast images. A newly-designed inner focusing system brings high image quality throughout the zooming range. The Focus carriage is designed to minimise breathing and the extended rotation makes this lens ideal for cinema applications where focus pulling is a key factor.